Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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WITHOOS, Mathias
Landscape with a Graveyard by Night

ID: 07267

WITHOOS, Mathias Landscape with a Graveyard by Night
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WITHOOS, Mathias Landscape with a Graveyard by Night


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WITHOOS, Mathias

Dutch painter (b. 1627, Amersfoort, d. 1703, Hoorn).   Related Paintings of WITHOOS, Mathias :. | Style life with figs | Mont Sainte-Victoire,Seen from Les Lauves | Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago | James Madison | vinet |
Related Artists:
karl isakson
Karl Isakson, född 1878, död 1922, konstnär. Karl Isakson växte upp i Stockholm, han och systern Ester uppfostrades av en religiös ensamstående mor, då fadern tidigt gått bort.
Jan Hackaert
(1628-1685) was a Dutch Golden Age painter. He travelled in Germany and Switzerland, and painted and sketched mostly landscapes.He would sketch miners at work in the mountains, and on more than one occasion this caused him trouble because the workers couldn't understand what he was doing. They felt he was either a spy or hexing them and made a complaint. Because Italianate landscapes were so fashionable, his Lake Zurich was mistaken for an Italian lake for years. He painted the landscape backgrounds for other painters, such as Nicolas Berchem and Adriaen van de Velde.
Giambattista Pittoni
(1687?C1767) was an Italian painter of the late-Baroque or Rococo period, active mainly in his native Venice. Pittoni is best known for his "grand-manner" canvases depicting religious, historical, and mythological subjects (such as Sophonisba and Polyxena). He was a co-founder of the official painter's academy in Venice (in competition to the old fraglia or painter's guild), the Accademia di Belle Arti di Venezia, and he succeeded as President (1758?C1761) his contemporary Giovanni Battista Tiepolo. Pittoni never left his native Venice, but completed commissions from German, Polish, Russian, and Austrian patrons. His mature palette was noted, as was Tiepolo's, for his lightness of tone. Besides Tiepolo, Pittoni's influences were Giovanni Battista Piazzetta, Sebastiano Ricci, and Antonio Balestra. His paintings were of a Rococo style, but later became more sedate in their approach towards Neoclassicism.






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